samedi 31 juillet 2010

interview : Windy & Carl


Windy & Carl are playing drone guitars since 1993, run their music store Stormy Records, and like two names linked by a '&', they answered with two voices to our questions.

1. Your first musical memories?
W : My very first memory in life is of being 6 months old and being in my crib in the living room, hearing Bob Dylan. My parents had a reel to reel of his greatest hits vol 1 and they listened to him all the time. After that, being 3 and 4 years old and listening to Neil Young with my sister dawn, and hearin glots of what is now called "classic rock" - artists like ELO, ELP, Hendrix, Blue Oyster Cult, Queen, and Peter Gabriel, Genesis...

C : Paying my older sisters 45's...Beach Boys, Beatles, Archies, Cowsills, Monkees, Yellow Balloon. Lots of 60's pop rock hits


2. The best record you received as a present? / The worse one?
W : The best record i ever received as a present was the Durutti Column / Vini Reilly album. Carl gave it to me in the fall of 1989, and it has been one of my very favorite records ever to listen to. That record made me want to sing opera. I've had some amazing hallucinations listening to that record - visions of trees and birds in fields. But that is the answer to the last question......
the worst record? as a present? i can't think of one.

C : When i was 11 my sister gave me a Rolling Stones album "Some Girls" for Christmas. I loved the faces on the cover and i loved the song 'Shattered'. I do not recall a record given to me i did not like


3. The first record that you lost?
W : I remember the first album i melted in the car : it was the Pet Shop Boys actually (or maybe it was please) and i bought it, put it in the back of my car on the back dash, and forgot about it. The next day, the sun beat down on it for hours, and the poor album warped to absolutley unplayable condition.

C : The 45rpm record 'Shaving Cream', funny novelty record i used to listen to with my friend Dirk when we were kids. 


4. The name of your imaginary band?
C : My and my friends wanted to be The Monkees, we had an imaginary band and called ourselves 'Jr. Monkees' we had no idea how to play our instruments. one of us had a drum set, i had a cheap sunburst guitar. We also had marraccas and used an older brothers electric guitar with no amplifier.


5. In which environment do you like to record music?
W : At home, in the living room, with the sun coming in the windows and shining on the hard wood floors. i'll have a few drinks, and then play my Les Paul through a space echo and a little vox pacemaker. Absolutely perfect.

C : I like to record with bright sunlight, in a comfortable setting but when it is too hot i have to record in the basement where it is cool in the summer. 


6. What will music sound like in 50 years / 5000 years?
W : In 50 years i hope music goes back to a more organic process, an analog based, richly recorded and produced style. Where the sounds are more acoustic and more natural, and have better clarity and warmth. Music the body can process easily - music more akin to what we have been hearing in nature for millions of years.
and in 5000 years - i'm not sure what it will sound like, but i hope it still has the ability to bring people together, to be a force in their lives, to have the incredible meaning and emotion it does today.

C : I hope it will sound better than ever. for me, i will always love the music i grew up on as a kid more than anything.


7. Which underrated album will start a new musical genre?
C : Maybe some drone, or minimal artists. maybe some kind of electronic music that has not been made yet...


8. Which album should never have been made?
W : Nirvana's Nevermind. it was not true to the form the band was using, and it started an entire generation of crap copy bands who all use too much compression, whiney vocals, and shitty production. Nirvana should have stayed a low key, lo-fi band and the world would be a better place. Nevermind ruined rock music as a whole.

C : I recently listened to Neil Young's 'Reactor' and hated it so much!
there are so many that should have not been made. The albums that are just copying a current trend should never be made


9. Your favourite album to have a drink?
W : Probably anything that Astrid and Joa Gilberto did together - her voice and his guitar make for wonderful summer evenings with a martini or gin and tonic.

C : Lately Creedence Clearwater Revival or Almann Brothers for me. 


10. Your dream collaboration?
W : Making a record with Vini Reilly and Bruce Mitchell - the Durutti Column. i have loved them since i was 14 years old, and it has been my dream since then to find a way to work with them. We've met them, and i even bought a guitar from Vini, but i've never found a way to make music with them. And i sure would love to!

C : Alice Coltrane, John Coltrane. Pharoah Sanders too. they all play such beautiful spiritual music 


11. The record that freaks you out?
W : I don't know. I can't really think of one. I can think of an album i love to get messed up and play super loud - teenage filmstars Star album. i can remember the very first time i heard it, a firday night, after ingesting multiple things, and listenig over and over. It was Ed Ball's reaction to my bloody valentine's loveless, and it is still amazing. Really sexy, really tripped out in all sorts of ways. Loveless meets krautrock? With backward passages and whispered vocals and super psychedelic guitars. It's a fantastic record.

C : Captain Beefheart 'Trout Mask Replica' a lot of people love that record. i have a hard time with it. I know it is a groundbreaking album but it is so hard for me to understand and accept.


12 . The record you would like to listen to right now?
W : Neil young 'Harvest' - but only because Carl is playing Neil songs on an acoustic guitar right now. I love to hear Carl play - i would like to hear the new pieces he is working on again, but i'll happily listen to him play Neil Young. It works for me on multiple levels.

C : ELO 'A New World Record' or some early 1970's Scorpions 


13. The film that tickles your creativity?
W : The Muppet movie. Jim Henson's puppets have been my imaginary friends my whole life, and his story telling was so brilliant! His muppets were real beings to me, real people, so to say. They had a dream, they planned how to make it come true, and they worked hard until they made it. The story is simple and strong, the colors are beautiful, the songs all flow - it is a happy story that makes me feel like i can make the things i want happen in this world. I still watch it every few years.

C : Hard to say as i listen to music all of the time and i don't watch many films right now...


14. The little-known track that everyone should have heard of?
W : A song by Moose called 'Je Rev'. It has great swirling chiming guitars and propulsive bass and drums. It is a song that fills my chest to the point of bursting and makes me want to create music. It's just incredible.


15. An album or an artist you wouldn’t want to be?
W : Marvin Gaye. For as much incredible music as he gave this world, his life was so troubled and heavy. Every day of his life he was chased by demons - his father, his wife, his addictions. His fame only raised him up for a harder fall, and his paranoia got the best of him. The people around him treated him like dirt, and in the end he was killed by his own family. He never had anyone to trust, not even himself. a life with no trust - can you imagine?


C : Brian Wilson. He has lived a very tortured life, he has made so much incredible music that he does not want anyone to hear. So many people around him telling him NO during his most creative times. 


16. The cover version you would love to do?
W : The Stranglers 'Golden Brown'. The harpsichord in that song gives me such a high, as does the watery guitar notes near the end.


C : I don't think about this very much, i am finishing one right now but i never think about covering other peoples songs.


17. The mashup you would love to do?
C : Mixing modern day ambient music with 80's power metal! That would be interesting, maybe really bad though...


18. The text you would like to produce a soundtrack for?
W : Banana Yoshimoto's Kitchen. The book is full of auditory words, and situations i am familar with. I believe i could do it justice musically. hums and emotion - yup, i can do that.


19. Have you ever had auditory hallucinations?
W : I have had hallucinations listening to music, and i have imagined sound where there was no sound. I have heard voices of the dead, i have seen what music looks like. I often see color when i hear music, or i see what shape it is.

C : It depends on the music, but yes i have.


20. How would you like to die?
W : I would like to die peacefully, at an old age, after a healthy and full life. I am sure most people woudl answer this question in a crazy way, with an outlandish answer, like leapign off a skyscraper and bursting into flames, or having an accident while racing the indy 500, or falling off Mt Kilimandjaro, but i want to live a good life, and do all the things i want, and age gracefully. I want to be healthy, and old, and just go to sleep one day and have my current life be done. Then i will be ready to begin a new.

C : Listening to my favorite music and feeling like i have accomplished want i want to in life.


Windy & Carl - My love (2008)


They have a new song in australian's magazine Lifted Brow, vol. 6. (It comes with 2 cds, including Windy & Carl, Tuneyards, and Little Wing.)

An another song is available on a Pyramids 5 cassette box set, (which also included Bass Communion and a bunch of other amazing bands) - on Small Doses label.

A 45' is coming out later this year on Geographic North. A-side is a cover song (very poppy and unusual) and the B-side is a new work from Carl.

And They are working on a new full length record from Kranky to be released next spring...


Go to Stormy records, their music store ; their official website, myspace and wiki page.

mardi 27 juillet 2010

Summer heat #6



Quiet Village - Pillow Talk

This track is actually an edit of Alan Parsons Project's song "Voyager", which share strange similarities with Goblin's song "Patrick" as well. Enough said, let's have a mojito.

pix : Hilo Chen

Biceps et Bijoux


Favorite Flava - Different phase (2009)

vendredi 23 juillet 2010

A Couple
























And for your theme day...
ZZ Top - I Got the Six (1983)

Mouthing

















He's gone. Done with. Been hanging on for too long around here. Might be back in the future tho, when the tide has changed.

Nirvana - Mr Moustache (1989)
(Yes, it was 21 years ago)

Summer heat #5



Neon Indian - Deadbeat Summer

myspace

pix : Gustaf Eriksson

Rencontre fortuite


Comme disait Isidore Lucien Ducasse, c'est "Beau comme la rencontre fortuite d'un panda et d'un valium sur une baguette". Ou quelque chose comme ça.

Panda Valium - Baguette (2010)

mardi 20 juillet 2010

Grrrrouah!
















Sparks - Tryouts For The Human Race

pix : Teruyoshi Nakano Godzilla vs. Mechagodzilla 1975

What The?




















There you are, a bit of Eat Skull. Not sure why, but this song reminds me of falling off of my bike. of off ofo offf. I guess I could have enhanced the wrapping up of my sentence but it's a bit like their sound. Lo-fi. I love lo-fi and the rest of the album goes down better with a bit of wax in your ears. Part of the charm I guess. Anyway, drummer's defected to The Intelligence (note their song 'Fuck Eat Skull' on Fake Surfers from 2009, year he left the band) who had their last album on the French label Born Bad. If this means anything to you...

Eat Skull - Don't Leave Me On The Speaker (2010)

Summer heat #4



Cults - Go Outside

listen and download on bandcamp

pix : Vincent Laforet

Red Lipstick


Siouxsie and the Banshees - Peek-a-Boo (1988)

No shit, the kids from Tigerbeat6 have been messing with granny! or maybe she's done it to herself. Good work, though it's a shame she's predated that annoying low-bandwith voice echo. You know what I mean. what I mean.

lundi 19 juillet 2010

Happy Birthday Humphrey



















Carry On Animals! Plus celebrating the 20th studio album since the 1st of June.
The Melvins - The Water Glass (2010)

Summer heat #3



Ariel Pink's Haunted Graffiti - Round and Round

myspace

pix : Stephen Shore, Ginger Shore, Causeway Inn, Tampa, Florida, Nov. 17, 1977

jeudi 15 juillet 2010

mardi 13 juillet 2010

Something Fishy


Here we are, walking to the fish counter at Sainsbury's to buy fresh squid, organic pineapple juice and have a piss while Peaches licks my ass. Almost got ran over by a Land Rover - street cred. Tuesday is the new Friday.

Motorhead - Tear Ya Down (1979)

Summer heat #1



Blackbird Blackbird - Summer Heart

more on bandcamp
pix

jeudi 8 juillet 2010

Nu Old Nu Skool


Beside & Fab 5 Freddy produit par Bill Laswell ou Uffie sur une prod de Mr Oizo ?

Beside and Fab Five Freddy - Change the beat (french rap) (1982)

Uffie - MCs can kiss (2010)

mardi 6 juillet 2010

interview : DJ Bachir présente The Nonce - The only Mixtape


DJ Bachir à été un membre actif d'hiphopcore.net (un des sites de référence en hip hop innovateur qui vient malheureusement de fermer) et vient de sortir une mixtape sur The Nonce (aka Sach & Yusef Afloat). Hommages...

1. Votre 1er souvenir musical ?
Farid el Atrach - Daymen maak

2. Le meilleur disque que l’on vous ait offert ? Le pire ?
Le meilleur : Ultramagnetic MC’s - Poppa Large
Le pire: Dr Alban Sing Hallelujah

3. Le 1er disque que vous ayez perdu ?
J’en ai perdu pas mal, je ne me souviens pas de tous, mais je sais à peu près où et chez qui ils se trouvent.

4. Votre nom de groupe de musique imaginaire ?
Les fous hurlants.

5. A quel moment aimez-vous faire de la musique ?
L’après midi chez DJ Quiet juste après un café et des granola, et juste avant des pates à la bolognaise. 

6. A quoi ressemblera la musique dans 50 ans ? dans 5000 ans ?
...Jamais aimé les prédicateurs.

7. Quel album ignoré ouvrira un nouveau genre musical ?
Cf réponse précédente.

8. Quel album n’aurait jamais dû exister
Tous les disques de Michel Sardou.

9. L’album idéal pour l’apéro ?
Si je picolais je dirais Mohamed Abdelwahab - Malach ti boussni.

10. Votre featuring rêvé ?
Dj Clyde.

11. Le disque dont vous avez peur ?
Tous les disques de Michel Sardou.

12 .Le disque que vous aimeriez écouter ?
Sach - 7 Days To Engineer en vinyle. 

13. Le morceau méconnu que tout le monde devrait connaître ?
The Nonce - Who Falls Apart.

14. L’album ou l’artiste que vous n’aimeriez pas être ?
Michel Sardou.

15. Avez vous déjà eu des hallucinations auditives ?
C’est ce que je me dis à chaque fois que j’écoute la playlist de Skyrock.

16. Comment aimeriez vous mourir ?
Dans l’idéal ça serait de façon discrète, sans faire de bruits, ni de peine.


Sach - Go just to stop (2004)

Voir le wiki de The Nonce, écouter le teaser de la mixtape de DJ Bachir, télécharger un mix exclusif en complément de la mixtape, acheter la mixtape sur amazon (< 10 euros) et aller sur hiphopcore.net (voir leur épitaphe sonique : les TOP 2000-2009)

lundi 5 juillet 2010

NonFilm, Steak & Rubber


Après Steak et en attendant Rubber, le cinéclub du lundi vous propose NonFilm, le 1er film (moyen métrage) de Quentin Dupieux, avec Sebastien Tellier dans le rôle principal.

William Kentridge & La Flûte Enchantée








En 1999, lorsque j'ai découvert les films d'animation de William Kentridge pendant le Festival Vidéo Art Plastique, j'avais d'abord été intrigué. C'était en plein après midi et je me déplaçais dans les salles du théâtre d'Hérouville St Clair en attendant que la Station Mir finisse sa gigantesque installation appelée Babel. Je suis rentré dans une des salles d'exposition, plutôt petite, en déplaçant un épais rideau en feutre gris et je me suis assis. Un projecteur vidéo diffusait des films d'animation réalisés au fusain. J'ai regardé le premier puis je suis ressorti pour voir les autres installations.

11 ans après, je ne me rappelle plus des autres vidéos, mais je me rappelle très bien être retourné dans la salle ou était projeté les films de Kentridge. Je crois que j'y suis resté longtemps : au moins le temps de voir 7 à 8 films d'affilés. Et j'y suis retourné les jours suivants ; sur le mur les dessins s'effaçaient et se reformaient selon les besoins de l'animation, et la trace de leur déplacements passés servaient de trame pour les dessins à venir.

Le souvenir de ces dessins s'est lui aussi transformé quand j'ai découvert "La flûte enchantée" : une transposition de l'opéra de Mozart par Kentridge. Progressivement les trois théâtres-installations en forme de réflexion sur les débuts du cinéma, sa capacité d'émerveillement et son potentiel politique, se sont lentement superposés à mes premiers souvenirs. Les installations de Kentridge sont à la fois projecteurs, récepteur, théatre, machine marionnette, illusion, envers du décor et sculptures. Et sonores : le travail conjoint de Kentridge et de Philip Miller fonctionne particulièrement bien dans la pièce : Black Box/Chambre Noire (2005).

Hier, l'air de la Reine de la Nuit pris dans les petits grillages lumineux de Kentridge, son noir et son blanc mouvant, ont recomposé durablement ma mémoire.


La salle du Jeu de Paume à Paris accueille une rétrospective de William Kentridge jusqu'au 5 septembre 2010.

Ramellzee & Dizzee


Rammellzee est mort le 27 juin dernier. Son influence à été majeure sur les débuts du hip hop (Graph', Beastie Boys, Cypress Hill... il a cotoyé Basquiat ; a joué dans Wild Style ; a fait une brève apparition chez Jarmush dans Stranger than Paradise) et s'est étendue jusqu'aux artistes les plus contemporains. Isn't it Dizzee... ?

dimanche 4 juillet 2010

Aéroplanes & autres dégats volants


La première fois que j'ouvre les yeux, je suis dans une grande pièce blanche, un hall d'entrée reconverti en salle de concert attenant à une morgue. Le veilleur de nuit arrose la pièce avec un long tuyau d'arrosage jaune. L'ambiance est détendue et il doit y avoir entre 20 et 50 personnes assises par terre ou rassemblés en petits groupes, vêtues de couleurs vives. A droite de l'entrée j'aperçois une petite estrade sur laquelle est disposée une grande table, des ordinateurs, des tables de mixage et des racks d'effets raccordés par une impressionnante quantité de câbles. Le concert va bientôt commencer.

En tournant mon regard vers l'entrée, je vois s'avancer une silhouette noire dans la position exacte de Wesley Snipes sur l'affiche de Blade II. D'ailleurs je crois que c'est lui. Il semble se déplacer en glissant sur le sol mais ses bottes noires claquent au contact de l'eau recouvrant le béton. Il vient d'entrer et il ressort immédiatement dans un travelling compensé déconcertant. Après avoir vérifié une dernière fois les branchement de mon matériel, je descends de l'estrade et déambule parmi les gens qui commencent à se rassembler devant la scène.

G. et d'autres amis sont assis au fond de la salle. Je me mets sur la banquette à coté de lui et je suis plutôt surpris lorsqu'en tournant la tête je le revois à nouveau me souriant en parfaite réplique des enfants à tête d'Aphex Twin de la pochette de Come to daddy.

dDamage fait son apparition et des applaudissements polis se font entendre lorsqu'ils montent sur scène. G. me dit qu'il va au bar "Je te rapporte quelque chose ?" mais confortablement enfoncé dans la banquette j'ai du mal à garder les yeux ouvert et je marmonne "Ouais une vodka, s'te plait..." mais je crois qu'il ne m'entend pas. Mes paupières se ferment quand j'allume une cigarette qui se met à fumer dans les premiers sons d'Aeroplanes...

Lorsque que je ré-ouvre les yeux, ma vue se fixe progressivement sur un mur blanc. Un petit air frais se faufile jusqu'à ma jambe gauche. Je suis allongé sur le clic-clac du salon de C. et V. et par la fenêtre ouverte j'entends les avions au départ d'Orly passer au dessus de l'appartement. Il est 8h40.

dDamage - aeroplanes (straight) (2010)
Nous publierons une interview de dDamage début Août

samedi 3 juillet 2010

Arandel - In D






Plus d'infos sur In-Finé music