samedi 27 février 2010

interview : Oneida


Oneida is a rock band from New York. As children of Krautrock they share a fascination for improvised and repetitive music and with Preteen Weaponry and Rated O they have made two of the greatest albums of these last years... they also have shaved their beards and answered our questions.

1. Your first musical memories?
My first record-memory is definitely a Fisher-Price baby turntable that played these thick plastic waffle-discs with bumps, like a simple music box, and mine played “Camptown Races”. My first live music memory is a band at Disney World playing “The Heat Is On” by Glenn Frey, and it was so loud, it really freaked me out – loud sounds scared the shit out of me when I was a child. That’s why Oneida has such a hold on me.

2. The best record you received as a present? / The worse one?
I don’t really do “best” and “worst,” but a memorable one would be my girlfriend giving me the original Tribe LP of “The Best of the Sir Douglas Quintet” – a moment of total joy for me, having looked for a copy of that record forever (this is before ebay was really known to me, and besides I couldn’t afford what that record would have cost online).

3. The first record that you lost?
Cool question. I’m not sure what the first one I lost was, but I remember my discovery that my 45 rpm single of “Stayin’ Alive” was irreparably scratched – I was probably 6 or 7 years old and that was my first “real” record (my parents gave it to me – my brother got “A Fifth of Beethoven”), and I played the shit out of it; at some point, I must have dropped it or put something on it, and when I discovered it was fucked up, it was just an earth-shaking loss for me.

4. The name of your imaginary band?
Oneida.

5. In which environment do you like to record music?
Any environment that is stressful in some way seems to be a great way to record – freezing cold, filthy dirty, broken equipment; whenever the universe keeps reminding me that I’m not in charge of reality, that’s a powerful environment. Nice studios that are kept attractively clean and comfortable don’t seem to have the same results.

6. What will music sound like in 50 years / 5000 years?
50 years: quiet, as I go deaf.
5000 years: I will be dust, so there will be no sound.

7. Which underrated album will start a new musical genre?
There are no genres created by music. Genres, for better or worse, are only imposed from without, so there’s no possible answer to this. A better way of thinking is “who will people pay attention to in order to create the next genre classification, and how does that individual or group organize his/her/their taste?)

8. Which album should never have been made?
I don’t have an answer for this – I have no understanding of the position from which it’s asked. Possibly whichever one most depleted the available store of natural resources from which it’s manufactured? So that would be something that’s sold a lot of copies, like Thriller or Rumours or whatever, but those are great albums, so I’m caught in a conundrum.

9. Your favourite album to have a drink?
Just one drink? Could be anything. A lot of drinks? Let’s say Run-DMC “King of Rock.”

10. Your dream collaboration?
I got a lot of dreams. How about Bo Hansson. That would be fun.

11. The record that freaks you out?
Music isn’t really freaking me out right now – possibility and flexibility of thought is at a premium for me today, so I don’t see anything freaking me out, if you mean that in the sense of disturbing me on an existential level. I’m kind of looking at things through a distant perspective, not dialled in on an emotional level to the point where I feel like I could be unshipped by music. Maybe Bach, if I really plumbed the depths and started considering the intersection of his faith and the wellspring of his tonalities. But I’m not that religious a guy right now.

12 .The record you would like to listen to right now?
Cluster 71 at extreme volume, but I’m surrounded by civilized people.

13. The film that tickles your creativity?
Point Break is pretty good. Anything that’s awesome can get my blood flowing a little bit.

14. The little-known track that everyone should have heard of?
“Should have” is maybe not a phrase that I’m comfortable responding to, but a great song that people don’t know and might enjoy exploring is Gene Clark’s recording of “Tears of Rage” – I really love that, and it’s not necessarily on a lot of people’s radar at the moment.

15. An album or an artist you wouldn’t want to be?
Well, that’s pretty loaded, and assumes my empathy is maybe more highly developed than it is. I’m trying to be reasonably egoless these days, in the hopes that some psychic benefit might be derived from that, so I can’t really come up with a useful answer, other than people who have had horribly tragic things happen to them – but again, I can’t judge their level of fulfilment from where I’m standing right now. Sorry to be so nonconfrontational….sometimes I’m way more of an asshole, but I’m just kind of in a place right now where I’m not judging my fellow man – I take that inspiration from Link Wray, who sang nobly about his fellow man and not being one of the Ice People, if you know what that’s about.

16. The cover version you would love to do?
17. The mashup you would love to do?
These two questions imply that I’m somehow limited, and can’t do the things I want. But I can. So how about a couple of the last few covers that Oneida has played/recorded: Funkadelic “Hit It and Quit It” and Throbbing Gristle “Discipline”.

18. The text you would like to produce a soundtrack for?
John Brunner’s novel “Stand On Zanzibar”, hands down. Second choice would be Moby Dick.

19. Have you ever had auditory hallucinations?
Yeah, sometimes I hear voices, but I’m not sure if they’re hallucinations or if I’m just tuning in at a deep level from time to time, like my psyche is only able to decode transmissions once in a while from something I don’t understand. They don’t tell me to do stuff, so don’t get too worried.

20. How would you like to die?
Is that a threat? That sounds like a threat, or a James Bond movie.




Listen to Oneida's music on myspace, go to their website Enemy Hogs and read their biography on wikipedia.

vendredi 26 février 2010

When WilI I See You Again


This is to my old friend I hope not to see again soon (enough of it two weeks ago), and to my other old friend that I do hope to see soon enough.

Los Pepes - El Turista y la Gachi (1966)

jeudi 25 février 2010

vendredi 19 février 2010

Le long drones des années 50 : King Khan + BBQ au Point Ephémère


1 2 3 4... (5 6) Going faster miles an hour... Quelques mots échangés autour d'une bière ; Gonna drive past the Stop 'n' Shop... Un indien à la perruque bleue et à la robe de soirée à paillettes assortie ; With the radio on... Un poulpe au turban rose, cyclope renvoyant les projecteurs ; Radio on... 48, 54, 69, 77 ; Radio on... Une grosse caisse, une caisse claire jouée au pied ; Radio on... 2 guitares qui nous ramènent à Link Wray perçant ses amplis au cuter ; Radio on... Au flux continue d'un rock'n'roll fantasmé ; Radio on... Jusqu'à l'os, plongé dans le vibrato verb ; Radio on... Du rock noir pillé par le King Khan ; Radio on... D'un punk révé en 2010 ; Radio on... D'un concert annoncé comme un événement ; Radio on... Qui s'avère amusant & qui n'est qu'une radio nostalgique diffusé sur des hauts parleurs défectueux ; Radio on... Mais c'est aussi une onde continue de stratocaster Ouah Ouah, Shouba Shouba  ; Radio on... Parfois mal calée ou montant en tension  ; Radio on... Les Ruby Tuesday des Stones étranglés  ; Radio on... Une Party Animal qui ne devrait jamais s'arrêter ; That's right... Mr Rockets esquissant un déhanché ;  Said welcome to the spirit of 1956...

Et ça ce n'est pas rien.

(Right, bye bye!).

Wear your heart on your sleeve



Colleen - Your heart on your sleeve

(pix)

mardi 16 février 2010

lundi 15 février 2010

dimanche 14 février 2010

Interview : Bill Drummond (part II) : Reflections


Dear Julien,

Just one thing, my vanity insists that you replace the photo you have used of me on your site with the one that I have attached. I do not mind if you refer to my request on your site either.

Yours,

Bill Drummond

Tangerine Flakes, a mixtape by the offline people


The  afterlife, c’est une situation post kraftwerkienne échevelée & it’s not a place. C’est une répétition décalée & c’est comme Anvil à 50 ans. C’est comme une petite fille riant parce que son père croise les yeux & les fait rouler dans ses orbites & c’est comme la Playa de Miami, OH OH OH, pleasure of love chantent les coeurs…  C’est comme un compte rendu de concert de Sexy Sushi s’écroulant dans une marre de Renaud & c’est chanter faux dans la bière de trop. C’est comme un funk lent roulant sur des vagues de guitares slide & c’est la vie héroïque des mouettes prise dans un circuit imprimé de livre pour enfant. C’est un néon indien faisant un barbecue gelé & It’s summertime dans le filtre bleu d’un tape recorder qui s’arrête et qui mange la bande… C’est une K7 en reverse face A, face B, les têtes de lecture sales & puis droit sur les 80’s, froides comme un abattoir & molles comme une cathédrale au bord de la mer & j’aime regarder les filles qui marchent sur la plage, leurs longues jambes nues qui se déhanchent & leurs chœurs synthétiques dispersés par le vent. C’est comme le bandeau de Keith Richards pris dans le fog londonien & I heard it through the slits, à travers les tabulas allongées, assises sur un tabouret jusqu’à 5 ou 6 dans la soirée & c’est comme Stardust & les poussières de suie sur une route blanche & les lignes jaunes sur un bitume d’Angleterre. C’est le reflet d’un nuage électronique dansant dans la lueur d’une voix & me faisant tressauter & c’est comme le battement à contre temps d’une pendule vue dans la lumière d’un écran d’ordinateur & est ce qu’elle s'est réveillée ?

C’est le goût du café dans la bouche, d’un cinéma au bord d’une écluse & de ses salles qui s’enfoncent sous l’eau. C’est les phares des automobiles filtrant à travers les rideaux & s’étirant au plafond dans les papillons & les poissons de la Caméra Obscura. C’est comme Metal on metal & la métronomie des flux & le bleu d’une diode d’alimentation & la calandre d’une Rolls Royce plongée dans la boue d’un lac & c’est une demi voiture suspendue aux crochets d’une grue en vert de gris auquel il ne manque que quelques mollusques accrochés à ses flancs. C’est un arbre creux pris dans la tempête & c’est la pulsation des doigts frappant le clavier & c’est une casquette en paille qui a explosé dans un concert. C’est un chat orange dans la pénombre & c’est un disque en carton épinglé sous un poster avec une croix blanche sur un décor rococo & c’est une invocation aux puissances brunes. C’est un bateau en bois dans une vitrine de restaurant japonais & une marche trop haute & un terrain de pétanque recouvert par la neige. C’est un ciel blanc diffus, pris dans la répétition de Tarantula.

Pardon My French. 

Tangerine Flakes, a mixtape by the offine people by the offline people 3

01 A Small Good Thing - Saloon Dreams (2002)
02 Yacht - The Afterlife (2009)
03 Tom Tom Club - Pleasure of Love (1983)
04 Blevin Blectum - Rommelpotted (2004)
05 Neon Indian - Deadbeat Summer (2009)
06 Andrew Weatherall - Selective Walking (2009)
07 The Slits - I Heard it Through the Grapewine (1979)
08 White Williams - In the Club (2007)
09 Boyd Rice - Solitude (2004)

Interview : Bill Drummond will answer the offline people questions. But not yet.


[censored picture, for details see here]

Dear Julien,

Please have a look at this page:
http://www.penkilnburn.com/paintings/100_questions/questions.php

Yours,

Bill Drummond 

[This link was add by me for the purpose of this post]

vendredi 12 février 2010

I'll Probably End Up There

Finally back for that best time of the week. I know that some of you chums are breaking up and celebrating the beginning of half term today so here comes the long awaited moment when you put on your two left shoes and get in a bit of a squiff. I recommend a Dirty Sue (1 part gin, 2 part Suze with a few drops of Angostura Bitter and two ice cubes) to calm your nerves down, a hefty dose of People Under the Stairs ringing in your ears. yum yum.



Better sound quality

In the clouds



Julianna Barwick - Cloudbank

mardi 9 février 2010

Space Girl Dance

lundi 8 février 2010

dimanche 7 février 2010

Le hip hop, c'est toujours mon pote (et en plus il roule en Camaro, le bâtard)


2010 commence sur les chapeaux de roues : au kilomètre lancé les People under the stairs sur Carried Away, tout en sonorités old school, devancent d'une courte tête Felt (Slug + Murs) qui invitent Aesop Rock dans la course (3e album du projet Felt qui rend cette fois ci hommage à l'actrice Rosie Perez) ; puis nous arrivons dans le peloton de tête avec BK-One qui fait un détour par l'Amérique du sud avec ses poteaux Brother Ali, Slug, Murs, Haiku d’Etat & Raekwon sur Radio do Canibal pour tenter de dépasser le supergroupe Blakroc qui fonce droit sur la ligne d'arrivée en fusionnant les Black Keys avec Mos Def, Nicole Wray, Pharoahe Monch et Q-Tip...

Les quatre albums sont excellents, bien construits sur la longueur et vous donnerons entière satisfaction dans les conditions de conduites les plus extrêmes (Message des sponsors).

Après un suspense insoutenable, la 1ere place sur le podium reviens finalement aux Black Keys qui opèrent une surprenante glissade au finish, reliant leur blues post Cream au Hip Hop le plus actuel.

Bref on a là tout ce qu'il faut pour alimenter l'autoradio de la série limitée Chevrolet Camaro Blackroc (si, si, ils l'ont fait) et aller faire son gros mariolle en ville...

People under the stairs - "Trippin at the disco"

Felt - "Felt chewed up"

BK-One - "Here i am" featuring phonte brother ali & the grouch

Blakroc - "Ain't nothing like you" featuring Mos Def & Jim Jones

lundi 1 février 2010

Gym suédoise



C'est lundi, on se réveille en douceur avec quelques étirements.

Caribou - Odessa

Washed Out - Feel It All Around (Toro Y Moi Remix)

(pix)